I primarily work with oil and acrylic paints on canvas, often building rich, tactile textures to add depth to my landscapes and abstract series. For works on paper, I often use oil pastels or colour pencils. Quality is paramount to my process; I use only artist-grade, archival materials to ensure that every piece maintains its vibrancy and structural integrity for generations to come.

My work exists on a spectrum between the two. Because each of my series is driven by a different 'vibe' or emotion I want to convey, the style shifts to match that intent. For instance, my Hong Kong Series leans toward contemporary representation, capturing the recognizable spirit of our local hills and harbours. In contrast, series like Gia or Aurum move into abstraction, focusing more on the energy, light, and 'personal geographies' of a place rather than its literal form. Ultimately, my art is about the dialogue between what we see and what we feel.

Absolutely. While I don’t maintain a public-facing gallery, I am happy to arrange private viewings at my home studio in Stanley for those interested in seeing specific pieces.